New Greater Anglia trains will provide improved facilities for disabled passengers

 

  The design of Greater Anglia’s new trains (set to replace all current trains by 2020) include new facilities for disabled passengers, including a retractable step between the floor and platform and floor-level help buttons in toilets.

The changes come after complaints were made by disabled passengers on various train services this summer. Norwich-based comedian Tanyalee Davis was asked to move her mobility scooter out of a wheelchair space for a pram to be parked there. In a video uploaded to YouTube, she said she was being “kicked off” the train at the next station because she refused. Speaking to The Independent in August, 29-year-old Hollie Brooks said she “felt like a second-class citizen” when the wheelchair space she booked was blocked by a catering trolley, meaning her boyfriend couldn’t sit with her and she had to face the window for the duration of the journey.

In their September newsletter, Greater Anglia said they were making their new trains “suitable for all”, consulting a group of disabled rail passengers and professionals whilst the trains were being developed. The group consisted of wheelchair user Dominic Lund-Conlon, blind and visually impaired Terri Sawkins, Jim Watt and his guide dog Legend, and Helen Sismore from East Anglia Guide Dogs. After making initial recommendations last year, they visited Switzerland this summer where 58 of the 169 new trains are being manufactured by Stadler. They recommended further adjustments such as ‘modesty screen’ between raised seating areas and the disabled seating section of the trains.

As a result, Greater Anglia’s website says the new trains will include emergency help buttons at floor level in each accessible toilet, a retractable step between the train and platform, and an accessible seating area where passengers have the option to face forwards or backwards.

The other services the company currently offer for disabled passengers include help to buy your ticket, getting on and off the train, booking assistance for the length of your journey, being met by staff when getting off the train and help with carrying luggage.

Further details of Greater Anglia’s services and their Disabled Persons Policy can be found here: https://www.greateranglia.co.uk/travel-information/accessibility/disabled-peoples-protection-policy.

Frances Butler

 

 

Gain real-life firefighting experience and new friends with Fire Cadets

 

Young people across Norfolk are being encouraged to gain practical experience, make new friends and get involved in their local community through joining Fire Cadets.

First set up by Norfolk Fire and Rescue in 1984, Fire Cadets is open to anyone aged 13-17 and offers 5 different units in areas including Wymondham, Great Yarmouth and Sheringham. Members are provided with their own uniform and train under current firefighters as part of nationally recognised programme to experience the everyday realities and challenges of the job – such as safe operation of equipment and responding appropriately to an emergency situation, which may prove useful in the future. One such example was when cadet Jess Auston provided first aid to a toddler who ran into a table, claiming her training enabled her to remain calm and quickly treat the child. She subsequently received an award and was made crew manager of her unit.

Cadets featured on the Norfolk County Council website describe experiences such as developing team building and leadership skills as well as experiencing what firefighters do “out on an actual call”, as Jack says. The rigorous testing and hands-on nature of their training can also lead into a professional career. 13-year-old Ben has an older brother who was a cadet for five years before joining Hethersett fire service, and former cadet Ryan is now an on-call firefighter at Wymondham, who believes he was part of “one of the best cadet schemes around”.

In addition to weekly drills at their local station, fire cadets are trained in fire safety, climbing drill towers and safely removing car parts in case of road accidents. Other opportunities include participating in local community events, such as spending a night on the streets to raise awareness for homeless people and visiting the elderly for a day.  Extending their activities beyond the local community, fire cadets from Norfolk took part in international event NORJAM this summer, teaching scouts and guides from around the world about fire safety.  Residential trips focusing on teamwork and dedication are often organised with the latest involving volunteering in soup kitchens and abseiling in Derbyshire.

Fire cadets have gained a good public reputation, as shown at a team building day for Norfolk Fire and Rescue at Bowthorpe in 2017. Chief Fire Officer David Ashworth stated he was “rightly proud of our fire cadets”, whilst Norfolk County Council Chairman John Ward described the cadet unit as “a valuable and worthwhile part of the fire service.”

Anyone interested in becoming a cadet is encouraged to email Lydia Durrant at Lydia.Durrant@fire.norfolk.gov.uk.

Frances Butler

Never Mind The Boybands, Here’s Pale Waves

Pale Waves Frances Butler
Pale Waves at the Waterfront Studio.
Photo: Frances Butler
 

Pale Waves came to Norwich on October 25th for a raucous show. Frances Butler was fortunate enough to catch a word with the new indie darlings prior to their Waterfront Studio show.

How is tour going?

Heather: Really good. Last night in London was amazing, it was probably my favourite show. There was a stage invasion.

Ciara: We had to start the song again. Someone fell into my drum kit, Charlie’s bass came out and there was no sound.

What are your plans in regards to future music?

Heather: We’ve got an EP coming out, the first track on it is our next single. It’s been done, finished, sent to radio, so that should be coming out very soon. There’s another three tracks on the EP, and then we’re looking to record the album.

How do you feel about being female musicians in the music industry?

Ciara: I think one of the bad things is people just coming to the shows because of attraction – especially towards Heather – and being a bit creepy. The first show we did, the Birmingham show, Heather was like “it’s really hot on stage” and someone shouted “take something off.” It’s uncomfortable.

Heather: We’re encouraging other young girls to get into music.

Ciara: And not be scared of it. I can’t count how many girls have said to me “I really want to do drums,” and it’s good, because no-one’s going to stop you from doing it. It is quite intimidating to play an instrument which is quite male dominated.

Heather: The industry is quite male-dominated still. With women being in the industry and making a name for themselves, it’s getting more popular these days and is really encouraging other women. It shouldn’t be dominated by any gender.

Ciara: I don’t think we’re seeing the full effect of it, because we’ve got loads of fans who love us and don’t care what gender we are, or maybe love us even more because we’re girls doing it. It’s a mixed gender band as well, I love how we’ve got the two boys and I wouldn’t change that for anything.

Is there anything you’ve done in this band that you didn’t think you’d be able to do?

Ciara: This tour.

Heather: Being treated like it’s our show is really strange for us.

Ciara: We’ve never had that. I feel like our career has come at a really nice pace, so we can appreciate absolutely everything. It’s been a really long process. Playing loads of shitty shows in Manchester. Really bad gigs. You always grow as a person as well, if it takes a bit longer. When you get to stage like this, you know exactly who you are, what you want your band to be, how you want to come across. You need to do all the shit things, you need to struggle, because if you don’t, you’re not going to appreciate it.

Frances Butler

Mallory Knox: “Everyone is trying their hardest to keep music alive.”

James Gillett (left), myself and Sam Douglas (right) before the show.

Photo: Joe Savins

(Originally published for Concrete). Please note: The original top photo used for Concrete has been replaced by the one taken by Joe.

Cambridge-based rock band Mallory Knox consists of lead singer Mikey Chapman, bassist and singer Sam Douglas, lead guitarist Joe Savins, rhythm guitarist James Gillett, and drummer Dave Rawlings. On the third night of their UK tour I spoke to Sam and James about family, the music industry, and the influences behind new album Wired.

Why did you decide to become a band, and why the name Mallory Knox?

Sam: Music’s been there for us since we were about 13. We did the whole being a kid, playing on a back of a lorry with your parents only the ones there to watch you – it kind of spiralled from there. Ever since this band has been taken seriously we haven’t looked back. We needed a neutral name. Mallory Knox could be a metal band, or pop punk, you can’t work it out. We didn’t want to be defined straight away from the name. You don’t judge a person from their name when you meet them for the first time, so why should you judge a band?

What does this band mean to you?

Sam: It’s everything. Speaking for myself, it’s been my life for the past eight years – everything I’ve got in my life right now is built from this band. It’s what I put everything into every day when I wake up in the morning, it’s the first thing I think about.

James: It’s not until recently we can go, “You know what, I don’t really know what I would do without this”. You take it for granted. Things fell into place quite easily for us early on. Now we’ve got that drive and passion again – we never lost that, but we’ve got it more so. We want an influence on every decision being made, we care about every little part of it again.

What do you think the fans’ reaction to Wired has been like?

Sam: I wanted to have an album from 1 to 11 where people would genuinely enjoy listening to it the whole way through. I think that’s what’s happened – you could probably put 5-10 of our fans in a room and go “what’s your favourite song from Wired?” and I would guarantee that at least seven or eight of the songs would be mentioned within those ten people. You can dream about chart positions and you can dream about venues, but at the end of the day you can only achieve what’s in front of you.

How is Wired different from previous albums?

Sam: When we wrote Signals we were what – twenty? Now I’m 27, I’ve seen the world, I’ve missed my family, my friends and girlfriends, and emotions are a lot more intense now – there’s a lot more life stresses involved, so that alone created this frustration and anxiousness. I think you can hear how vulnerable the songs are at times. It’s so easy to get carried away and put layer after layer after layer, tuning every little bit so it’s perfect, but those little imperfections match the insecurities we felt when we were writing the record.

James: Everyone is trying their hardest to keep music alive, that’s what it’s all about. Record sales are on their arse. You have to try to keep the interaction with people, that’s why social media is such an important thing. That is a subject we touch on, how it is so necessary these days but also so bad in places as well.

What about songs like ‘Mother’, in particular?

Sam: ‘Mother’ is a song that we all relate to. It’s a tip of the hat to your parents; thanks for supporting me for the first four years when I wasn’t making any money and letting me live rent-free and letting me follow my dream, and I know that it was stressful at times and I know you miss us when we’re away and you see us when we’re stressed, but you still stand by us. My parents, regardless of their own personal difficulties, stuck together and still were my parents regardless of what they went through together, and I really fucking respect that.

It’s been six years since your Pilot EP came out. What is the most important lesson you’ve learnt since then?

Sam: To never lose track of what you want and how you want to be Mallory Knox, without drifting away. The biggest lesson you can learn is that you have to put in everything you’ve got to reap the rewards – it’s not just going to fall into your lap, no matter what. For a band like us, you’ve got to give it everything. You’ve got to strive to be the best, constantly – to survive in this fucking industry that is sometimes too hard. That would be my advice to myself from six years ago – do not lose hope and faith and belief in what you’re doing, and always strive to be better.

James: In the early days, you’ve got to enjoy moments like “we’ve got a record label, oh my god!”, but we’ve learnt now to still be in control. No-one is going to care about your band as much as you.

Sam: It’s very much like a football club; players, managers, coaches will all come and go but the fans stay forever.

What do you think is the biggest thing you’ve been able to do as a band?

Sam: The Roundhouse was a moment. One of those moments where you don’t know what you’re doing until you watch it back a few days later and you’re like, “Fuck!” That’s still my number one.

James: When you’re older and you tell your kids you got to go to America, they’ll think “that’s cool,” but then you go, “we played this venue and look how many people were there,” they’ll think, “Bloody hell!”

Mallory Knox are currently touring the UK and Europe, and will be playing Reading and Leeds festivals in August.

Frances Butler

Live Review: Black Stone Cherry at The LCR

(Originally published for Concrete). Please note: The original top photo used for Concrete has been replaced with my own from the gig.

Proudly hailing from Kentucky, Southern rock band Black Stone Cherry formed in 2001 consisting of lead singer and guitarist Chris Robertson, rhythm guitarist Ben Wells, drummer John Fred Young and bassist Jon Lawhon, when they were still teenagers. With their combination of hard rock, country and blues stemming from inspirations such as Elvis and Jimi Hendrix, the band are capable of delivering both mellow acoustics and hard-hitting riffs. The Experience Kentucky tour features no support bands and both acoustic and electric sets, bringing both the band and their fans together in smaller venues.

The band’s laid-back attitude and interaction with the audience stood out during the acoustic set. All sporting Christmas jumpers, when a fan interrupted, shouting a request for ‘Blind Man’, he had to answer a very important question from Ben: Star Wars or Star Trek?

Ben own photo

Black Stone Cherry at The LCR.

Photo: Frances Butler

  On a more serious note, finishing ‘All I’m Dreamin’ Of’, a song not usually played live but frequently requested by fans, Chris delivered a personal speech about mental health. He revealed whilst recording 2011’s Between the Devil and the Deep Blue Sea he attempted suicide, initially telling no-one. He urged his fans to ask for help, hammering his point home when he stated he never wanted to hear that any of their fans had taken their own lives, and emphasised he still has “to take a few tablets every morning to feel like myself, and there is no shame in that.”

For the electric set, opening song ‘Devil’s Queen’ from Folklore and Superstition was an unusual choice, as it wasn’t released as single, but made a strong impression on the crowd with its frenetic breakdown and driving guitars. From there, the crowd’s energetic reaction to newer singles ‘Shakin’ My Cage’ and ‘The Way of the Future’ proved that, after more than ten years as band, Black Stone Cherry’s fans are as enthusiastic as ever. The band like to have fun, too, including covers of Jimi Hendrix’s ‘Voodoo Child’ and ‘Whole Lotta Love’ by Led Zeppelin.

It was especially apparent how in tune each member was with the other; as Chris nailed his vocals and solos, Ben insisted on hyperactively charging and leaping around, pumping up the crowd and continuously swapping stage positions with Jon, who maintained a solid bassline, even playing using one of John Fred’s drumsticks at the end of the show. John Fred himself pulled off a powerful and frenzied drum solo, very possibly breaking a few drumsticks in the process, and paused to swing the microphone around and produce another instrument. Not enough cowbell? Have a harmonica. The show ended triumphantly on a raw, heavy version of crowd favourite ‘Lonely Train’.

When it comes to performing live, Black Stone Cherry are a band who know exactly what they’re doing, and they’re doing it extremely well. Whether they’re playing Wembley or The LCR, they are more than capable of putting on a unique live show: one that is simultaneously fun, emotional, energetic and fierce.

Photos and words: Frances Butler

Black Stone Cherry: “Not everything is handed to you in this business.”

(Originally published for Concrete). Please note: The original top photo used in Concrete has been replaced by a stock photo.

Black Stone Cherry are a Southern rock band from Kentucky, USA, featuring lead singer and guitarist Chris Robertson, rhythm guitarist Ben Wells, drummer John Fred Young and bassist Jon Lawhon. Before the final night of the Experience Kentucky tour in Norwich, I had the chance to talk to Ben about his inspirations, their fans’ loyalty and what Black Stone Cherry have learned after being a band for more than ten years.

What’s the inspiration behind the name Black Stone Cherry?

When we started in 2001 we tossed around a bunch of different names…one of my buddies had come down to watch us practice, he had a box of cheap cigars and the brand was Black Stone. He had some cherry [flavoured] ones and we thought it was a cool name at the time.

When did you all decide to become a band?

It [the band] was born in 2001, and from that day forward we knew the chemistry we had together – we knew this was what we wanted to do.

What are your inspirations? Is there anyone in particular that made you want to be a guitar player?

My biggest inspiration is Elvis Presley, and then my favourite band is Aerosmith. I love guitar players like Jimi Hendrix. I would basically give it all to Elvis. That’s my biggest inspiration of all time.

What does this band mean to you?

It’s my life since 2001. This is something that we put our time and sacrifice into, we write music that we like and hope it transcends to other people. I’m very proud of everything we’ve done and what we’ve accomplished. The stories we’ve heard from fans about how our music has helped them is the ultimate payoff. It’s sense of pride and happiness – living the dream. It’s a bittersweet dream; you miss home, but you’re out here touring the world and playing for happy faces. It’s pretty awesome.

What do you think is the main thing you’ve learnt from being in a band for this long?

We’ve learnt so much. We’ve learnt you have to make mistakes to grow stronger. Not everything is handed to you in this business, you have to grow, you have to do it yourself and it’s important to make mistakes yourself. What not to do, that’s the biggest thing. Making your own mistakes and learning from them.

What is the main difference between your debut album and Kentucky?

Our debut album – we were 17 years old, so there’s a youthfulness there that you can’t recapture. That album [Black Stone Cherry] and Kentucky are the most alike because they were recorded in the same place, we did them both very “bare bones”. We didn’t overproduce it, just like we didn’t on the first one because we didn’t know what we were doing. I think there is a spirit that we have in Kentucky that we had before. Kentucky is a nod to our home state because we’re very proud of it.

On this tour, why did you decide to play smaller venues and play two sets, instead of having support bands?

Earlier this year we did a big arena tour, and this time we said let’s do something really special that we think our fans will appreciate. In arenas you need support bands, but in rooms like this you can really break down walls and have a more personal level between us and the audience, which was the inspiration behind the acoustic set – to play songs people haven’t heard us do. For our diehard fans they’re getting a full night of Black Stone Cherry. The fan feedback has been phenomenal […] it’s just a really good atmosphere.

Do you have any pre-show rituals?

The only thing we do every night is say a group prayer and then we go on stage, otherwise we’re sitting around like this – we’re pretty boring people!

Are there any differences between crowds here and crowds in America?

There is an energy in the audiences here that (especially at the big festivals) is almost irreplaceable. Music is very much still a lifestyle here.

What’s the best and worst thing about touring?

The best thing is playing every night; there’s no way to replace that rush that you get from playing live. The worst part is missing your wife, kids, animals, pets, mum, dad.

What would you say is the best thing about your fans?

Their loyalty. There are people with tattoos, they have our names tattooed, there are people on this tour who have been to almost every single show. Their loyalty is very humbling, and I think our fans have stuck with us; that has been very remarkable and we love them for it.

When you’re not on tour, what do you like to do in your spare time?

I like to run – I go running every day when I’m home, hang out with my dogs, my wife. I’m a pretty chill guy, I do still play the guitar a lot, but when we’re home I like to not do a whole lot of anything!

What are your dogs called?

Henry and Clark. They’re two little Beagles, they’re great!

If Black Stone Cherry was a film, what would it be like?

Hmm…an action-drama – there’s a lot of energy in our band. We’re brothers, and sometimes we fight like brothers, but we also love like brothers. In the music business there’s always drama! So yeah, definitely action-drama.

If you could be any animal, what would you be and why?

I think it would be cool to be a dog, because I look at my dogs and I’m like, that would be awesome! I would just lay around and get spoilt all the time.

Black Stone Cherry will be touring the US in March and hope to be back in the UK with a new album in 2018.

Frances Butler

Design a site like this with WordPress.com
Get started